Here is the text for everyone to read: "
Engfish" by Macrorie.
The summaries are done by:
ENGL300-1: Rebecca Sisson
ENGL300-2: Mary Meadows
Due date for the summaries to be posted: Wednesday, August 24th, at the start of class.
Due date for the comments: Friday, August 26th, at the start of class.
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Mr. Ken Macrorie, in his book “Telling Writing”, explains how “Engfish” is defined. The play on words with a French accent struck a cord with the college professor. Engfish is now an urban term referring to the writing style students’ use nowadays. In so many words, it basically means that the students write only to fluff up their papers rather than give their paper a story to picture in the readers mind. I know I have been guilty of this on more than one occasion, but it was how I was taught to write.
Macrorie also makes the point that teachers are equally responsible for creating Engfish just as much as the students. Most teachers only grade on the punctuation and spelling rather than the content of the paper itself. If you are educated to write a certain way, it becomes ingrained in you to continue to write the way you know how, in order to get the best grade possible.
In the blog, a teacher is used as an example of someone who does not want Engfish. He wants his students to see, feel, hear, touch and even taste what they are writing, but receives Engfish instead. The teacher tries as much as he knows how to encourage writing in English, even making his students keep journals. However, even when writing in their journals, the students keep to themselves and do not divulge what they feel nor paint a picture in your head from their writings.
The blame does not all just go completely on the teachers and students either; schools and their textbooks are guilty as well. There was an example given out of a textbook beginning with an Engfish sentence for an introduction. It is now so common to see and read Engfish that students assume it is an acceptable practice used for every paper that they write for every class.
Macrorie pointed out the fact that we do not speak Engfish, just write it. If Engfish was spoken, conversations would be extremely boring, lengthy and probably need to have an interpreter on hand to explain what was said. “Wordy” would not even begin to define those conversations.
We all did not start out writing Engfish. A short passage is given by a third grader who does not use Engfish whatsoever. When you read it, you can picture every bit of his story in your mind with colors, scents, and sounds. It automatically grabs your attention and that is what the teacher is looking for, a creative story that will stick in your mind. The writer of this blog makes a clear distinction between the college student’s writing and the third grader’s, “…One is dead, the other is alive.” Unfortunately, accepted teaching methods and materials exposed us to Engfish in mass quantities throughout public school systems.
The child writes well because he writes what he thinks mainly because he has not been corrected otherwise. He does not hold anything back either and the story speaks straight to you. The college student’s papers are very drab and have no depth to them at all. Where did they lose it all?
by: Rebecca Sisson
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In the first chapter of Ken Macrorie’s book, Telling Writing, he explores the term Engfish.
Mr. Macrorie begins the article by telling a story about a girl who had an instructor who told her that she could not write. The girl retaliates against this instructor by writing a paragraph about him in another class in the style of James Joyce. When she shows the paragraph to the professor of that course he recognizes the word she uses, Engfish, as a word that defines the writing of schools.
Mr. Macrorie goes on to say that English teachers tend to correct students’ writing for spelling and punctuation, so when the students receive their corrected papers they believe that their instructors do not care about what they are writing only how they write. This is Engfish.
The next several paragraphs of the article are about a teacher trying to get his students to stop writing Engfish. He tries to give them topics that he believes will discourage them from writing Engfish, topics they will care about, however, this does not work. The students are too used to writing in the style of Engfish, so that even if they are writing about a topic they are close to they still produce this language. Mr. Macrorie describes in the article that students are trained in this language because of the response they receive from teachers.
In essence, Engfish is devoid of any true emotion or original thought. When students write Engfish they write what they believe their teachers want. They use fancy words to discuss a topic that does not require those words to be used, or they use simple language but still do not say anything at all. When students write Engfish they do not put any of themselves into their writing, which leads to the writing being devoid of any true emotion or passion, and relatively boring. Engfish is a language which only exists in the academic world.
To close the article Mr. Macrorie gives an example of writing from a third grader. The third grader does not write in Engfish. The third grader discusses “huhwayun” music in his or her paper. He or she connects “huhwayun” music to the way their grandma’s screams sound like when she is sick and connects their grandma being sick to a jar with a lid on. The words in a paper that is not written in Engfish, such as the example by the third grader, speak to one another. This makes the writing exciting, full of emotion and passion. The problem with Engfish is that the author does not write anything of consequence. The words do not speak to one another in an Engfish paper, and if they do happen to it is still dull. This is how Mr. Macrorie closes this article, by describing the difference between a college student’s writing and a third grader’s. He says that the difference is only that one is dead and one is alive. He mentions that we were once all third graders, but that by spending more and more time in the school system and being trained by teachers we go from writing in English to writing in Engfish. We begin to focus more on the words we use to say something instead of focusing on what we are actually saying. When we write in Engfish Mr. Macrorie believes that we are unable to discover truths that are relevant to us, but he believes that there is a way out of this Engfish cycle.
~ Mary Meadows ~